When art enters a home, it changes forever
Domicilio Particular·GAS® is a very special curatorial proposal that invites art to become part of everyday life. In this way, we transform the private sphere into a stage for contemporary art.
Domicilio Particular·GAS® goes beyond exhibition: it is a reinterpretation of how we see the space we inhabit. Each intervention is a dialogue between the domestic and the artistic, between routine and the extraordinary. It is a way of breaking down barriers, of experiencing art from a place of closeness and pure emotion.
Domicilio Particular·GAS® is an innovative concept conceived by the Ana Serratosa Gallery & Art Spaces and registered in Europe, USA, and Mexico.
It is a spatial intervention in an apartment building carried out by several artists who are assigned a corner of the building to transform the space with their work. This is always accompanied by a curator's narrative, creating a common thread between the two. This intervention seeks to humanize city buildings by giving their inhabitants a sense of belonging, creating a dialogue, and creating a unique experience.
Common and semi-public part of the building
Essential for registration, it encompasses all common areas of the building. These areas include the stairway leading up to the flats from the entrance, the stairwell, and the lift landing.
All of them have been transformed by works created by a selection of artists and curated by a professional who creates a narrative.
Private part of the building
The private part consists of the interior of the building's dwellings. Here, the artists' works also intervene in the living space, but this time in a more intimate way.
Public part of the building
This is the ground floor of the building, also featuring a work by an artist, which becomes a showcase onto the street where it is always on display to passers-by, surprising them as they walk by and making it a unique building.
The public part of Domicilio Particular – GAS50 at Cabillers 5 has been converted into an extension of the Ana Serratosa Gallery, displaying emblematic works by artists exhibited in the gallery or in museum spaces.
Venske & Spänle's work can currently be viewed in the public area of the building.
Like the mythical bird, this marble sculpture rises from the seemingly contradictory texture of feathers, embodying both transformation and renewal. The artist duo venske & spänle—known for their long-standing collaboration—work primarily with the classical medium of white marble. Their practice is deeply rooted in traditional carving techniques, but instead of adhering to the weight and solidity historically associated with marble, they push the stone into unexpected realms of lightness and movement. Each work is meticulously hand-carved, yet the resulting forms are animated, playful, and often biomorphic, as if they were living organisms testing the limits of their environment. Over the years, their sculptures have developed into a distinctive family of figures—sometimes referred to as “Smörfs”—that explore ideas of presence, materiality, and transformation. These beings seem to possess an inner vitality, interacting with the space around them and challenging the viewer’s perception of what marble can be. In PHÖNIX MYZOT 1000, the theme of metamorphosis resonates strongly, as the duo once again demonstrates how a centuries-old material can be reimagined to convey growth, rebirth, and the poetic coexistence of fragility and strength.
Venske & Spänle
PHÖNIX MYZOT 1000, 2025
Lasa marble, polished, feathers
172 x 42 x 56 cm