Manolo Quejido

Un esbozo sobre el pintor hipertélico

Quejido's exhibition takes us into paintings where the theme of the relationship between the painter and the model is once again an essential part of the author's aesthetic nature, rooted in a dense dimension of time that plays with memory and oblivion. Paintings full of reference that respond to exact plans, connect with the world and with painting itself, extracting from it all its power.

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Exhibited works

Manolo Quejido

"La pintura VIII"

2001

162 x 130 cm

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Manolo Quejido

"La pintura VI"

2001

162 x 130 cm

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Manolo Quejido

"La pintura 4"

2000

46 x 38 cm

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Gallery

Reviews

A SKETCH OF THE HYPERBOLIC PAINTER

FERNANDO CASTRO FLÓREZ

In the painting of Manolo Quejido, a tone of cubist representation and feminine incarnation of resounding forms is read, denoting a taste for distortion and banal monumentalization.

Complaint warns a drive toward a subject that accumulates a prolonged experience of culture and an intensive memory that has to do with the question of the anguish of influences. This lucid creator directs, permanently, his gaze to the historical horror, confronting it with the present.