Markus Linnenbrink

El río y el paisaje

In Marus Linnenbrink's latest exhibition at the Ana Serratosa gallery, "El río y el paisaje", colour is practically the great guest of honour at the party of all his works. A chromatic party in which greens, oranges, pinks, blues, blues, reds, yellows, violets... speak, laugh, communicate and sometimes even shout," as the exhibition curator Francisco Carpio tells us. Markus Linnenbrink's painting or sculpture has much in common with the expressionist artist Jackson Pollock. It is inevitable that we will notice the analogies between the two works, but what characterises and differentiates Linnenbrink is that this dripping or "dripping" is controlled. Unlike his predecessor, Linnenbrink gives the line a small percentage of the randomness that characterises the dripping technique of the American Expressionists. This is therefore a new approach to the more gestural side of the Abstract Expressionist movement, as it reproduces the principle of this discipline but denies it some of the freedom that painting had at the beginning of the 1950s.
El río y el paisaje

Works

  • Rightofreturn (Donaudelta)

    Markus Linnenbrink

    "Rightofreturn (Donaudelta)"

    2010

    152 x 182 cm

    Madera

    Impresión cromogénica con resina epoxi

  • Heavenisatruck

    Markus Linnenbrink

    "Heavenisatruck"

    2011

    175 x 200 x 7 cm

    Madera

    Impresión cromogénica con resina epoxi

  • Smilearoundtheface

    Markus Linnenbrink

    "Smilearoundtheface"

    2010

    81 x 61 cm

    Madera

    Impresión cromogénica con resina epoxi

  • World too?

    Markus Linnenbrink

    "World too?"

    2011

    42 x 33 cm

    Resina epoxi sobre madera

  • Everywhereallthetimeeverything

    Markus Linnenbrink

    "Everywhereallthetimeeverything"

    2009

    51 x 208 x 99 cm

    Resina Epoxi

  • Can'tstandupforfallingdown

    Markus Linnenbrink

    "Can'tstandupforfallingdown"

    2008

    43 x 110 x 82 cm

    Resina epoxi

    Modelado

Reviews

EL RÍO Y EL PAISAJE

EL RÍO Y EL PAISAJE

FRANCISCO CARPIO

In the last exhibition by Marus Linnenbrink at the Ana Serratosa Gallery, "El río y el paisaje", color is the great guest of honor at the party of all his works.

 

A chromatic party in which they talk, laugh, communicate and sometimes even shout, green, orange, pink, blue, red, yellow, violet ... as the curator of the exhibition Francisco Carpio tells us.

 

Linnenbrink has much of the expressionist artist Jackson Pollock, it is inevitable that we will notice the analogies between both works, but what characterizes and differentiates Linnenbrink is that this dripping is controlled, unlike his predecessor, Linnenbrink grants to the line a small percentage of the randomness that characterized the drip technique of the American Expressionists.

 

Therefore, we are faced with a new approach to the movement of Abstract Expressionism in its more gestural aspect, since it reproduces the principle of this discipline, but denying it part of the freedom that painting had in the beginning of the fifties.

Other exhibitions