Fabrizio Corneli

La sombra de la luz

"His works radically transform space, while at the same time having a very slight effect on it: when activated by light, they reveal drawings of shadows, figures of faces, buildings or bodies suspended in mid-flight. As the exhibition curator Santiago Olmo says, Frabrizio Corneli's work in "The Shadow of Light" is a special (and spatial) study of light and forms. Thus, the artist always plays with the subtlety of the profiles and the illusions of the spectator, so that we can believe in a universe parallel to our own where everything is possible. Illusion and art merge through small sculptural elements that transform the light they receive artificially, creating, far from reality, artifice. In turn, Corneli's work is always capricious, as it must have the optimum conditions (space, darkness, intimacy) in order to be shown, and in this sense, it will always be the work that dominates the space and not the other way around. Creating with light, that is what Fabrizio Corneli shows us in the Ana Serratosa Gallery, which is, in short, nothing more than painting.

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Works

Fabrizio Corneli

"Custodi della luce"

2008

Variable measures

Latón

Instalación lumínica con halógenos
Fabrizio Corneli

"Tiefflug III"

1997

Variable measures

Cobre

Bombilla halógena, figuras de luz
Fabrizio Corneli

"Tiefflug I"

1997

Variable measures

Cobre

Bombilla halógena, figuras de luz
Fabrizio Corneli

"Mondo"

cm

Aluminio

Bombillas led, epoxi y huevo de ganso
Fabrizio Corneli

"Tiefflug II"

1997

Variable measures

Cobre

Bombilla halógena, figuras de luz

Gallery

Reviews

THE SHADOW OF THE LIGHT

SANTIAGO OLMO

"His works radically transform the space, however, very slightly affecting it: when activated by light, they reveal drawings of shadows, figures of faces, buildings or bodies suspended in mid-flight". As the curator of the exhibition "The shadow of light" says, Santiago Olmo, the work of Frabrizio Corneli is a special (and spatial) study of light and forms.

Corneli always plays with the subtlety of the viewer's profiles and illusions, so that we can believe in a universe parallel to ours where everything is possible. The illusion and the art merge through small sculptural elements that transform the light that they receive artificially creating, nothing further from the reality, artifice.

In turn, Corneli's work is always capricious, because it must have the optimal conditions (space, darkness, privacy) to be shown, and in that sense, it will always be the work that dominates the space and not the other way around. Create with light, that is what Fabrizio Corneli shows us in the Ana Serratosa Gallery, which is not, in short, another thing to paint.

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