Javier Riera
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It is common among artists at certain moments in their careers, without knowing very well why, to be forced to contemplate the state of their work from very different prisms. Accustomed to living immersed in the work, the perception of what has been achieved seemingly clear, one sometimes finds oneself, as if suddenly, with a multitude of open fronts, centres scattered here and there that do nothing but confuse the artist himself and destabilise what they believe to be solidly rooted. It is often easy to know where the centre is and what flows from it, but in the end the work suffers. The plurality of centres in an artist's work can only confirm that the work is alive, that it can move in any direction, often unexpected. And for an artist, these must be exciting moments.